Lomba Modifikasi Busana & Aksesoris Turki ini ditujukan kepada pria dan wanita yang dibagi ke dalam 2 kategori:
kategori remaja (usia 13-19 tahun)
kategori dewasa (20 tahun keatas)
Hari dan Tanggal : Minggu, 5 Agustus 2007
Tempat : Kharisma Bangsa School , Pondok Cabe
Para peserta lomba akan memeragakan busana & aksesori yang mengandung elemen budaya Turki pada hari pelaksanaan lomba.
Peserta dinilai kemampuannya dalam memodifikasi busana & aksesoris khas Turki.
Busana tidak harus busana traditional Turky.Info Pendaftaran Lomba : 021-93786101[Sdri.Ely] atau 0818477757Women's Clothing [From : allaboutturkey.com]
For many centuries during the Seljuk and most of the Ottoman period, women's articles of dress were similar to those of men and bore the same name. The main items were the salvar (ankle-length trousers - pronounced shal-vhaar), gömlek (under tunic - pronounced ghoem-lhekh), hirka (cardigan - pronounced kher-kah), entari (gown - pronounced aehn-tah-ree) which could sometimes be called a kaftan (caftan - pronounced khahf-tahn) and ferace (overmantle - pronounced feh-rah-djeh) which was for wearing out of doors. Apart from the quality of the fabrics, there was little difference in style or articles of dress between rich and poor, nor between those of Muslim or non-Muslim women.
Because Islam forbade women to appear unveiled before men other than their husbands and close relatives, women's outdoor clothing was subject to strict regulations. During the Anatolian Seljuk period women covered their heads, but were not veiled, as we learn from contemporary visual material. For summer they were made of silk, and for winter of wool, often lined with fur. Through the 16th and 17th centuries the style of the ferace remained unchanged. the yasmak (pronounced yhash-mahkh) consisted of two pieces of fine white muslin covering the head, the upper piece tied around the forehead and the lower piece across the mouth below the nose. Over this was a pece (veil pronounced pech-eh).
From the turn of the 18th century changes began to come about in feraces and veils. A broad collar, about a handspun in width was added to the ferace leaving the neck slightly open, and Muslim women began to wear feraces of pastel colors (referred to as "unseemly colors" in proscriptive laws of the period) in fine fabrics. What is more, the fabric of veils, became more transparent, and with the introduction of hotoz (high cap) which added height to the headdress, veils began to be tied more loosely, and to be adorned with gold thread of various types.
Far more detailed information is available about the dress of the 16th and 17th centuries, after Istanbul became the capital of the Ottoman Empire. The main items of dress for women were again ankle-length trousers, long sleeved under tunics made of seersucker gauze (bürümcük - bue-ruem-djuek) reaching down to the ankles, a cardigan and a gown, which was sometimes called a caftan, and which could have either short or long sleeves. A diversity in minor modification of detail, such as the cut of the cuff or tightness of the bodice, emerged in women's dress in the early 18th century, the period known as the Tulip Era. It was during this period that the trousers became baggier. The miniatures of Levni and Abdullah Buhari also depict the dress of the time in close detail.
The headdresses worn by women in the 12th to 14th centuries are illustrated in miniatures, tiles and stone carvings. Seljuk women usually wore their hair in braids down to their ankles. They either wore embroidered cloths on their heads or a diadem adorned with a gem in the shape of a drop in the center of the forehead. From the early 17th century onwards women's caps worn in the Capital Istanbul became lighter, tapering towards the top. as is manifested by extant examples. Towards the middle of the century hotoz (a type of cap reminiscent of the bogtag), worn by the Ilkhanid period palace women, with a narrow base and broad crown came into fashion. In the Istanbul of Ahmed III, when the Ottoman Empire was relatively undisturbed by political troubles, women's headdresses began to take a diversity of exaggerated forms, quite unlike those of earlier periods. Hotoz with a one-sided brim curving over one shoulder is the most striking innovation of this period. During the reign of Mahmud I and his successors, women's headdresses were widely varied and ornate.
